Ulična fotografija

master's thesis

• Author: Maja Rivić
• Mentor: Miroslav Mikota (mentor)
• Committee member: Miroslav Mikota (član povjerenstva)
• Granter: University of Zagreb; Faculty of Graphic Arts; Zagreb
• Defense date and country: 2012-9-14, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Graphic Technology

Abstract

U prvom dijelu ovog diplomskog rada opisan je razvoj ulične fotografije, kao nasljednice dokumentarne fotografije i foto novinarstva, kojom su kroz dva sto-ljeća dokumentirani i komentirani elementi života, simptomi, pitanja i odgovori određenog društva i zajednice te same ulice. Ulična fotografija obuhvaća ljude, arhitekturu, događanja, parkove, plaže i trgovine te se služi dvjema suprotnim metodama čiste fotografije. Jednoj je cilj prikazati čistu viziju nečega s dozom ironije i/ili humora, koja je usredotočena na jedan jedini ljudski trenutak, iz per-spektive fotografa to je „ključni trenutak“, dok se drugom metodom ulični motivi nastoje prikazati što objektivnije. Tehnološku izvedbu ove discipline može za-dovoljiti cijeli niz fotografske opreme, od tele- i širokokutnih objektiva, do objek-tiva standardne milimetraže. Naglašen je značaj tehnološkog razvoja i moguć-nosti koje je ponudila maloformatna kamera te su predstavljeni najistaknutiji fotografi toga žanra. U drugome dijelu predstavljen je praktični autorski rad kroz deset uličnih fotografija u boji te je analizirana njihova kompozicija i umjetnički cilj.

Abstract (english)

The first part of the thesis describes the development of street photography, as a successor of documentary photography and photojournalism, which has thro-ughout two centuries, documented and commented on life features, symptoms, questions and answers of a certain society and community and the street itself. Street photography involves people, architecture, events, parks, beaches and shops and uses two opposite methods of straight phtography. One of which is showing a clear vision of something with a pinch of irony and/or humour, and which is focused on a single human moment, the photographer's „decisive mo-ment“, and the other one tries to display street motifs more objectively. The tec-hnological performance of this discipline can be satisfied by an array of photog-raphic equipment, from telephoto and wide angle lenses to standard size len-ses. The importance of technological development and the possibillities provi-ded by the small format camera have been pointed out, as well as the the most important photographers of that genre. The second part presents practical origi-nal work through ten street photographs in colour and analyzes their compositi-on and artistic goal.

• Keywords: ulična fotografija; dokumentarna fotografija; ključni trenutak; ma-loformatna kamera; autorski rad
• Keywords (english): street photography; documentary photography; decisive moment; small format camera; original work
• Language: croatian
• URN:NBN: urn:nbn:hr:216:759801
• Study programme: Title: Graphic technology; specializations in: Graphic technology, Design of graphic products; Course: Graphic technology; Study programme type: university; Study level: graduate; Academic / professional title: sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije (sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Closed access
• Created on: 2024-04-17 09:34:56