Fantastična fotografija

master's thesis

• Author: Anamaria Klarić
• Mentor: Miroslav Mikota (mentor)
• Committee member: Maja Strgar Kurečić (član povjerenstva)
• Committee member: Miroslav Mikota (član povjerenstva)
• Committee member: Nina Knešaurek (član povjerenstva)
• Granter: University of Zagreb; Faculty of Graphic Arts; Zagreb
• Defense date and country: 2013-9-26, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Graphic Technology

Abstract

Sredinom pedesetih godina fantastika se postupno afirmirala na obje

strane Atlantika. Snimatelji su najprije upotrijebili fotoaparat za postizanje krajnjih

vizualnih efekata, primjenjujući posebne leće i filtre kako bi promijenili izgled

snimljenoga, katkad do neprepoznatljivosti. Ali od sedamdesetih godina počeli su

primjenjivati uglavnom tiskarske tehnike, a rezultati su često bili više nego

zapanjujući. Ovakvo manipuliranje fotografijom prvi je uporabio engleski fotograf

njemačkog podrijetla – Bill Brandt. Njegove fotodokumentacije su često režirani na

način da prenose osobni komentar društvene stvarnosti po uzoru na komentare iz

vremena Viktorijanske književnosti. Amerikanac Jerry Uelsmann, pored svojih

veselih fotografija, često koristi arhetipske slike iz podsvijesti u nasumičnom izrazu

ostvarujući slike prepune psiholoških simbola. Joanne Leonard 1980-tih, koristi

fantastične slike kao autobiografski izraz, te potresne fotografije pokojnog Davida

Wojnarowicza, a fotografski opus talijanskog fotografa Augusta De Luce obilježile

su slike koje su u svezi s fotografskim eksperimentiranjem. Cilj rada je objediniti

saznanja o autorima i tehnikama te načinima izražavanja kroz različite periode te

ih prikazati kroz zajednički nazivnik fantastična fotografija.

Abstract (english)

In the mid-fifties, fiction gradually asserted itself on both sides of the

Atlantic. Cameramen were the first use the camera to achieve final visual effects,

using special lenses and filters to alter the look of their recordings, sometimes

beyond recognition. However, since the seventies they have begun to apply

mainly printing techniques, and the results were often more than stunning. Such

manipulation of images was first used by the English photographer of German

origin - Bill Brandt. His photographic documentation was often used to convey a

personal comment on social reality, modeled on the comments from the time of

Victorian literature. American Jerry Uelsmann, along with his cheerful

photographs, often used archetypal images of the subconscious in a random

expression, creating images laden with psychological symbols. Joanne Leonard

(1980s), used stunning visuals as autobiographical expression, and disturbing

images of the late David Wojnarowicz and a photographic opus of Italian

photographer Augusta De Luce marked images that are related to his

photographic experimenting. The aim of this paper is to consolidate information

about the authors, the techniques and forms of expression through the common

denominator of stunning photos.

• Keywords: fantastika; eksperiment; manipulacija; tiskarske tehnike
• Keywords (english): fantastic (stunning); experiment; manipulation; printing techniques
• Language: croatian
• URN:NBN: urn:nbn:hr:216:886366
• Study programme: Title: Graphic technology; specializations in: Graphic technology, Design of graphic products; Course: Graphic technology; Study programme type: university; Study level: graduate; Academic / professional title: sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije (sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Closed access
• Created on: 2024-04-18 19:05:23