Primjena koncertne fotografije

master's thesis

• Author: Ivan Vuzdar
• Mentor: Miroslav Mikota (mentor)
• Committee member: Nikola Mrvac (član povjerenstva)
• Committee member: Miroslav Mikota (član povjerenstva)
• Committee member: Mile Matijević (član povjerenstva)
• Granter: University of Zagreb; Faculty of Graphic Arts; Zagreb
• Defense date and country: 2018-9-25, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Graphic Technology

Abstract

Tema ovog diplomskog rada je “Primjena koncertne fotografje”. Diplomski

rad bavi se primjenom procesa slikanja digitalne fotografje u koncertnim

okruženjima. Također, analizirat će se načini, metode i tehnike fotografranja

koncertnih događaja u različitim uvijetima. Razvojem tehnologija digitalne

fotografje te primjenom već poznatih metoda fotografranja, koncertna fotografja

je kroz posljednja 2 desetljeća dosegnula nove razine kvalitete i kompozicije. U

radu se provodi analiza digitalnih fotografja kroz tehničke i umjetničke aspekte, u

svrhu defniranja nekih optimalnih uvjeta. Oni čine fotografju kvalitetnom i to kroz

više različitih parametara, kao što su: otvor objektiva, osjetljivost, brzina zatvarača

i slično. U teorijskom dijelu diplomskog rada postavljena je pretpostavka koji će

se parametri koristiti u zadanim situacijama, a analizom i usporedbom fotografja

snimljenih na koncertima pokušat će se defnirati optimalni parametri.

Abstract (english)

Subject of this master thesis is “Applcation of concert photography”. Thesis

engages into applying the processes of taking digital photos in concert ambient.

Moreover, methods, techniques and ways of taking photos in such events are

compared and analized. With the development of digital photography technologies,

along with the conventional methods, concert photography has evolved in the last

2 decades, thus reaching new levels of quality and composition. In this thesis

what is analized is digital photography through technical and artistic aspect,

with goal to defne optimal conditions for taking photographs. These conditions,

therefore, defne a photo with quality with different parameters such as: aperture,

ISO number, shutter speed and such. In theoretical part it is assumed which

parameters will be used in default situations; and with the analisis of shots taken

during concerts, the experimental part attempts to defne optimal parameters for

these situations.

• Keywords: koncertna fotografja; digitalni fotoaparat; fotografja u slabim svjetlosnim uvijetima; fotografja na otvorenom
• Keywords (english): Concert photography; digital camera; photography in low light ambient; open world photography
• Language: croatian
• URN:NBN: urn:nbn:hr:216:873531
• Study programme: Title: Graphic technology; specializations in: Graphic technology, Design of graphic products; Course: Graphic technology; Study programme type: university; Study level: graduate; Academic / professional title: sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije (sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2024-04-18 22:26:47