Stop-animacija u eksperimentalnom filmu

master's thesis

• Author: Lovorka Babić
• Mentor: Tajana Koren Ivančević (mentor)
• Committee member: Maja Rudolf (član povjerenstva)
• Committee member: Tajana Koren Ivančević (član povjerenstva)
• Committee member: Nikolina Stanić Loknar (član povjerenstva)
• Granter: University of Zagreb; Faculty of Graphic Arts; Zagreb
• Defense date and country: 2020-9-22, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Graphic Technology

Abstract

Ovaj diplomski rad temelji se na stop-animaciji u eksperimentalnom filmu, kroz

vizualnu i tehničku razradu. U radu je istražen problem korištenja stop-animacije

u eksperimentalnom filmu, te utjecaj stop-animacije na samu radnju i dinamiku

filma. U radu je pisano o povijesti stop-animacije i eksperimentalnog filma u

svijetu i kod nas.

U teorijskom dijelu analizirani su odabrani eksperimentalni filmovi i filmovi stopanimacije, te autori.

U eksperimentalnom dijelu napravljen je kratki film temeljen na prikupljenim

podacima. Opisan je proces izrade vlastitog filma te ispitan utjecaj same tehnike

na radnju i dinamiku filma. Stop-animacija je jedna od tehnika animacije.

Tehnika obuhvaća fotografiranje velikog broja fotografija. Objekt se pomiče

nakon svakog fotografiranja, te se u produkciji spajanjem fotografija stvara

iluzija pokreta.Glavna karakteristika eksperimentalnih filmova koji se često u

literaturi nazivaju i avangardnim, jest ta da nemaju stroga pravila niti strukturu.

Radnja često ima neočekivane preokrete te postoji faktor iznenađenja. Ponekad

se zbog tehničkih razloga ne može predvidjeti kako će film završiti. Najčešća

zajednička poveznica im je da je redatelj ujedno i producent, te montažer i

snimatelj, te da su niskobudžetni. Takav film omogućava istraživanje ideja i

tehničkih mogućnosti.

Abstract (english)

This thesis is based on stop-motion animation in experimental film, through

visual and technical elaboration. The paper investigates the problem of using

stop-animation in experimental film, and the influence of stop-animation on the

action and dynamics of the film. The paper investigates about the history of

stop-motion animation and experimental film in the world and in our country.

In the theoretical part, selected experimental films and stop-motion films, as well

as authors, are analyzed.

In the experimental part, a short film based on the collected data was made.

The process of making one's own film is described, and the influence of the

technique itself on the plot and dynamics of the film is examined.

Stop-animation is one of the animation techniques. The technique involves

photographing a large number of photographs. The subject moves after each

shot, and in production, merging the photos creates the illusion of movement.

The main characteristic of experimental films, which are often called avant-garde

in the literature, is that they do not have strict rules or structure. The plot often

has unexpected twists and there is a surprise factor.

Sometimes for technical reasons it is not possible to predict how the film will end.

The most common link they have is that the director is also a producer, and an

editor and cameraman, and that they are low budget. Such a film enables the

exploration of ideas and technical possibilities.

• Keywords: eksperimentalni film; stop-animacija; fotografija
• Keywords (english): experimental film; stop-motion; photography
• Language: croatian
• URN:NBN: urn:nbn:hr:216:649559
• Study programme: Title: Graphic technology; specializations in: Graphic technology, Design of graphic products; Course: Graphic technology; Study programme type: university; Study level: graduate; Academic / professional title: sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije (sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2024-04-18 23:03:58