Ratna fotografija

undergraduate thesis

• Author: Margareta Mandurić
• Mentor: Miroslav Mikota (mentor)
• Committee member: Mile Matijević (član povjerenstva)
• Committee member: Miroslav Mikota (član povjerenstva)
• Committee member: Nikola Mrvac (član povjerenstva)
• Granter: University of Zagreb; Faculty of Graphic Arts; Zagreb
• Defense date and country: 2019-9-20, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Graphic Technology

Abstract

Ratna fotografija za cilj ima što realnije i što vjerodostojnije prikazati rat onakvim kakvim je.

Otkad je fotografija došla na područje rata, od tada se teži plasiranju te fotografije u javnost.

Unatoč tehničkim mogućnostima i nedostupnosti fotografske opreme tada, povijest je izrodila

brojne ratne fotografe i fotografije, a kako je tehnologija išla naprijed, tako se broj fotografa i

fotografija povećavao. No, nije se povećavao samo broj fotografija već i njihova

eksplicitnost, a tako i njihova raširenost.

Fotografija sama po sebi, pa tako i ratna fotografija podložna je različitim manipulacijama.

Kroz povijest je to bilo namještanje scena prije snimanja, a danas razne modifikacije nakon,

što zapravo i nije začuđuće s obzirom na informacije koje ona može nositi. Iz istog razloga

nailazi na kojekave cenzure, no to, kao ni opasnosti, ne spriječava ratne fotografe da

obavljaju svoj posao i nastave donositi svijetu istinu o ratu.

Abstract (english)

War photography has for its goal to present war as realistic as possible. Since photography

found its way to the war, it aspires to be put in the public.

Despite the technical possibilities and unavailability of photography equipment in the history,

there was many war photographers and photographs. Alongside technology, the number of

photographers and photographs grew bigger and so is the explicitness of photographs content

and its outspread in the media.

War photography, as photography itself, is prone to different kinds of manipulation.

Troughout history it was staging the scenes before taking a photograph, but today it is

modifying it after taking it, which is not surprising considering the information that it can

carry. For the same reason, it can be censored or banned, but neither that nor the danger

prevent photographers to do their job properly and continue serving the truth about war.

• Keywords: rat; ratna fotografija; informacija; manipulacija
• Keywords (english): war; war photograpy; information; manipulation
• Language: croatian
• URN:NBN: urn:nbn:hr:216:640533
• Study programme: Title: Printing technology, course Technical - technological; Course: Graphic technology; Study programme type: university; Study level: undergraduate; Academic / professional title: sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka grafičke tehnologije (sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka grafičke tehnologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2024-04-16 15:44:48