Komunikacija narative stipa kroz naslovni sadržaj

master's thesis

• Author: Leon Burazin
• Mentor: Daria Mustić (mentor)
• Committee member: Jurica Dolić (član povjerenstva)
• Committee member: Daria Mustić (član povjerenstva)
• Committee member: Josip Bota (član povjerenstva)
• Granter: University of Zagreb; Faculty of Graphic Arts; Zagreb
• Defense date and country: 2021-7-15, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Graphic Technology

Abstract

Diplomski rad se bavi naslovnicom stripova te njihovim mnogim varijacijama kroz

godine, s naglaskom na stripove superherojskog žanra, točnije mnogobrojnim

herojima i negativcima Marvel i DC svjetova.

Kroz povijesni razvoj medija će rad nastojati prikazati tri stoljeća tijekom kojih se

medij razvijao, kao i značajni primjeri koji su eventualno utjecali na stripove

današnjice. Spomenuti razvoj će se usporediti sa suvremenim varijantama

jednakog ili sličnog žanra.

Sljedeće poglavlje se fokusira na naslovnice, točnije njihovu vrijednost kao

umjetničko djelo, ali i kao način komuniciranja sadržaja (ili njegovog manjka)

čitatelju. Nekoliko često prisutnih elemenata naslovnica će se dodatno istaknuti i

proučiti, uz spomen relevantnih primjera industrije i vezane priče.

Konačno, rezultati provedene ankete će se proučiti, s ciljem dokazivanja

efikasnosti pristupa kojim se mnogi izdavači stripova koriste, pogotovo prema

osobama koji nisu upoznati sa žanrom ili medijem.

Abstract (english)

This study addresses covers of comic books and their many variations throughout

the years, with an emphasis on comics of the superhero genre, specifically the

multiple heroes and villains of the Marvel and DC worlds.

In the historical development of the medium, the study will showcase the three

centuries during which the medium developed, as well as significant examples

that eventually influenced the modern comic book world. The aforementioned

progression will be juxtaposed with its contemporary variants in the same or

adjacent genre.

The following section will focus on the covers themselves, as an art form as well

as a way of communicating its contents (or the lack thereof) to the reader. Several

common elements of the covers will be examined closely, with relevant examples

in the industry, and their story.

Finally, results from a conducted poll will be examined closely, with the goal of

proving whether the approach that many comic publishers use is efficient or not,

especially to readers that are not familiar with the genre or medium.v

• Keywords: Stripovi; naslovnice; superheroji; varljive taktike
• Keywords (english): Comic book; covers; superheroes; misleading tactics
• Language: croatian
• URN:NBN: urn:nbn:hr:216:648440
• Study programme: Title: Graphic technology; specializations in: Graphic technology, Design of graphic products; Course: Graphic technology; Study programme type: university; Study level: graduate; Academic / professional title: sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije (sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2024-04-18 23:41:03