Televizijska grafika

master's thesis

• Author: Andreja Pehar
• Mentor: Jesenka Pibernik (mentor)
• Committee member: Lidija Mandić (član povjerenstva)
• Committee member: Jesenka Pibernik (član povjerenstva)
• Committee member: Sanja Bjelovučić Kopilović (član povjerenstva)
• Granter: University of Zagreb; Faculty of Graphic Arts; Zagreb
• Defense date and country: 2012-7-12, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Graphic Technology

Abstract

Diplomski rad obraĎuje temu Televizijske grafike. Ona je vaţan segment identiteta TV kuće i sadrţaja koji se emitira, te otkriva na koji je način ideološki i društveno oblikovan gledani sadrţaj.

Diplomski rad se sastoji od dva dijela, od tog praktični rad obuhvaća izradu dviju pokretnih grafika dok teorijski dio rada obraĎuje povijest televizije vezano uz izradu TV identiteta.

Teorijski dio rada opisuje općenito nastanak statičnih telopa, kako su se razvijali kroz povijest pa sve do suvremene digitalne animacije danas. Diplomski rad detaljno razraĎuje nastanak, karakteristike i perspektivu praktičnog dijela izrade TV špice u formi pokretne grafike.

Analiza doţivljaja ciljne skupine odraţava uspješnost praktičnog dijela i rezultata. Rezultati koji se trebaju postići kod izrade praktičnog dijela diplomskog rada su inovativna i kreativna rješenja, koja bi mogla otvoriti neke nove putove i ideje u razvoju televizijske pokretne grafike.

Abstract (english)

The theme of this thesis is “Television graphic”. It is an important segment of the TV broadcasters' identity and of the content being broadcasted, and reveals how the viewed content was shaped ideologically and socially.

Thesis consists of two parts: practical work includes development of two motion graphics, and theoretical work deals with the history of television with respect to television identity.

The theoretical part describes the creation of static bumpers in general, as they developed through history all the way to modern digital animation of today. Thesis elaborates the origin, characteristics and prospects of the practical part of TV credits in the form of motion graphics. It also provides guidelines for the development of practical part of thesis and for a case study.

Analysis of the target group experiences is used to evaluate the performance and practical results. Results to be achieved by making the practical part of graduate work are innovative and creative solutions, which could open some new avenues and ideas in the development of television motion graphics.

• Keywords: televizija; televizijska grafika; telopi; TV špica; pokretna grafika
• Keywords (english): television; television graphics; bumper; opening credits; motion graphics
• Language: croatian
• URN:NBN: urn:nbn:hr:216:543604
• Study programme: Title: Graphic technology; specializations in: Graphic technology, Design of graphic products; Course: Graphic technology; Study programme type: university; Study level: graduate; Academic / professional title: sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije (sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Closed access
• Created on: 2024-04-20 22:57:12