Izrada autorskog stripa prema stilu i teoriji japanskog stripa

master's thesis

• Author: Mirela Rakić
• Mentor: Vanda Jurković (mentor)
• Committee member: Dorotea Kovačević (član povjerenstva)
• Committee member: Vanda Jurković (član povjerenstva)
• Committee member: Maja Brozović (član povjerenstva)
• Granter: University of Zagreb; Faculty of Graphic Arts; Zagreb
• Defense date and country: 2023-2-2, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Graphic Technology

Abstract

Manga je strip karakterističan za Japan u kojem se razvio potekavši iz rane japanske

umjetnosti religijskih svezaka 8. stoljeća i drvoreza tzv. Edo perioda 19. stoljeća. Pojam

mange potječe od satiričnih karikatura umjetnika Hokusaija koji iako nije samostalno

osmislio pojam mange u svoje vrijeme, prakticirao je stil koji će se razviti u modernu

mangu. Tek početkom 20. stoljeća će pojam manga označavati japanske stripove.

Manga je kroz cijeli svoj period razvoja bila pod utjecajem društva i politike svog

vremena te je veliki utisak na nju imala i zapadnjačka umjetnost, posebice američki

strip. Tijekom Drugog svjetskog rata pod utjecajem je ratne propagande, no ubrzo se

razvija u popularan medij koji je danas globalan i prožima se u mnoge druge medije.

Obzirom na izjavu američkog umjetnika i pisca Franka Millera koji spominje kako je

manga lako čitljiva bez razumijevanja teksta, praktičan se rad fokusira na tu

pretpostavku. Zbog svoje dominantne i ekspresivne vizualne forme manga je iznimno

laka za čitanje i intuitivna za razumijevanje, te automatski iziskuje manju količinu

teksta za razvoj priče u kojoj primarnu ulogu imaju crteži.

Abstract (english)

Manga is a form of a comic book typical for Japan, with the origins in early Japanese

scroll art of the 8th century and woodblock prints of the 19th century Edo period. The

term ''manga'' originates from satirical and comical caricatures of the painter Hokusai.

Although Hokusai wasn't the first to coin the term, in his time he practiced the drawing

and sketching style that would later become modern manga. Only at the beginning of

20th century did the term manga start to refer to Japanese comics. Throughout the

history manga has always been influenced of society and politics of its time and was

greatly impacted by western art, especially American comic books. During the World

War II manga was under the influence of war propaganda but later grew into a globally

popular medium that has spread into different types of media (media mix). Based off of

a statement of an American artist and writer Frank Miller who notes manga is very easy

to read and understand even without text, the experimental part of this work is focused

on exactly that assumption. Because of its dominant and expressive visual form, manga

is easy and intuitive to read and understand and therefore needs less textual content for

story development (story telling) because of its primary focus on illustration.

• Keywords: ukiyo-e; drvorezi; kashibonya; manga; manhwa; manhua; lianhuanhua; webtoon; anime; emakimono; toba-e; dōjinshi; shōnen; shōjo; seinen; josei; gekiga; mangaka; tankōbon; bunkōbon; benzuri-e; otsu-e; akahon; kibyoshi; media mix
• Keywords (english): ukiyo-e; woodblock prints; kashibonya; manga; manhwa; manhua; lianhuanhua; webtoon; anime; emakimono; toba-e; dōjinshi; shōnen; shōjo; seinen; josei; gekiga; mangaka; tankōbon; bunkōbon; benzuri-e; otsu-e; akahon; kibyoshi; media mix
• Language: croatian
• URN:NBN: urn:nbn:hr:216:491190
• Study programme: Title: Graphic technology; specializations in: Graphic technology, Design of graphic products; Course: Graphic technology; Study programme type: university; Study level: graduate; Academic / professional title: sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije (sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Closed access
• Created on: 2024-04-21 10:24:28