Ženski lik u grafici : bakropis i akvatinta

undergraduate thesis

• Author: Ena Želežić
• Mentor: Josip Jozić (mentor)
• Committee member: Miroslav Mikota (član povjerenstva)
• Committee member: Josip Jozić (član povjerenstva)
• Committee member: Krešimir Dragčević (član povjerenstva)
• Granter: University of Zagreb; Faculty of Graphic Arts; Zagreb
• Defense date and country: 2019-7-16, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Graphic Technology

Abstract

U ovom završnom radu istraţit će se kako se razvijao motiv ţene kroz povijest

umjetnosti s naglaskom na originalnu grafiku (bakropis i akvatintu). Opisat će se razlike

između grafičkih tehnika bakropisa i akvatinte te ispitati način na koji su se

primjenjivale. Bakropis i akvatinta tehnike su dubokog tiska koje koriste kiselinu kako

bi kreirale motiv u metalnoj pločici, no primjenjuju se u različite svrhe. Za dobivanje

linija različitih svjetlina koristi se bakropis, a za dobivanje ploha različitih svjetlina

koristi se akvatinta. Analizirat će se najčešći motivi značajnih grafičara te obratiti

pozornost na prikaz ţena kroz razvoj tehnike i promjenu društvenih odnosa. Ţena se

kroz povijest smatrala manje vrijednom - sluškinjom koja se svodila na imovinu ili

ulogu majke što su i odraţavali mitološki i religiozni motivi u likovnoj umjetnosti.

Razvoj društva pridonio je promjeni uloge i slike ţene te su one postajale sve

samostalnije i uključile se u pridonošenje umjetnosti vlastitim radovima. Praktični dio

ovog završnog rada obuhvatit će opis postupka izrade vlastite originalne grafike,

upozoriti na greške pri radu te analizirati likovne utjecaje.

Abstract (english)

This final paper will explore the development of the motif of a woman through the

history of old master print (etching and aquatint). It will describe the differences

between the printmaking techniques of etching and aquatint. Etching and aquatint both

belong to the intaglio printmaking techniques which use acid to create a design in the

metal plate, but they are used for different purposes. Etching is used for creating lines of

varying intensity while aquatint is used for creating areas of different tone. The most

frequent motives of old master prints will be analyzed and compared to the position of

women through the development of printmaking and social relationships. Throughout

history woman was considered less worthy. She was a maid, a man's possesion or a

mother which was reflected in mythological and religious motifs of art. Changes in

socio - political stances helped women to become independent and to be seen

differently. Experimental part of this paper will describe the process of printmaking and

warn about mistakes that can be made during the process as well as explain artistic

influence.

• Keywords: originalna grafika; bakropis; akvatinta; duboki tisak
• Keywords (english): old master print; etching; aquatint; intaglio printing
• Language: croatian
• URN:NBN: urn:nbn:hr:216:222977
• Study programme: Title: Printing technology, course Technical - technological; Course: Graphic technology; Study programme type: university; Study level: undergraduate; Academic / professional title: sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka grafičke tehnologije (sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka grafičke tehnologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Closed access
• Created on: 2024-04-16 15:50:44