Izrada individualiziranog fonta te njegova integracija

undergraduate thesis

• Author: Domagoj Jeleč
• Mentor: Ivana Žiljak Stanimirović (mentor)
• Committee member: Mile Matijević (član povjerenstva)
• Committee member: Ivana Žiljak Stanimirović (član povjerenstva)
• Committee member: Miroslav Mikota (član povjerenstva)
• Granter: University of Zagreb; Faculty of Graphic Arts; Zagreb
• Defense date and country: 2018-9-21, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Graphic Technology

Abstract

Tema završnog rada obuhvaća cijeli proces izrade individualiziranog fonta.

Njegovo projektiranje, dizajn i realizaciju kroz primjenu na konkretnu temu.

Teoretski segment završnog rada fokusiran je na analizu pravila u tipografiji,

osnovne pojmove u tipografiji, te načela, postupke i generalna pravila u izradi

fonta. Također sadrži detalje kao što su geometrija i anatomija slovnih znakova,

i važnost kerning-a u izradi fonta. Eksperimentalni (praktični) segment završnog

rada fokusiran je na realizaciju individualiziranog fonta kroz izradu verzalnih

slova, brojeve i interpunkcijske znakove. Proces prikazuje motive koji su

inspirirali dizajn fonta, zatim skiciranje i stilizacija slovnih znakova na papiru,

njihova digitaliziacija u vektorskom programu i na kraju postupak kerninga i

konačno generiranje fonta za uspješno korištenje.

Font bi pripadao u kategoriju porodice sans serifa (potkategorija Geometric,

Display font), te je cilj da font svojom primjenom asocira promatrača na

umjetnost kretanja u sportu (Parkour / Freerunning), brzinu i aerodinamičan

dizajn. Nakon realizacije fonta je provedena njegova integracija u obliku

primjera promotivnih plakata na konkretnu temu – Parkour / Freerunning.

Abstract (english)

The theme of this graduate thesis encompasses the entire process of making

an individualized font. Designing, planning and applying it to certain theme. The

theoretical segment of the thesis is focused on the analysis of the rules in

typography, the basic concepts in typography, and the principles, procedures

and general rules in the process of making the font. It also contains details such

as geometry and anatomy of the characters, and the importance of kerning in

making the font. The experimental (practical) segment of the thesis focuses on

the realization of an individualized font by creating capital letters, numbers, and

punctuation marks. The process shows motives that inspire the font design,

then sketching and stylizing letter characters on paper, digitizing them in the

vector program, the kerning process and finally generating the font for

successful use. The font would belong to the category of sans serif family

(subcategory Geometric, Display font), and the goal is to use the font to

associate the observer with Parkour / Freerunning, speed and aerodynamic

design. After the whole process of making the font, it’s integration is showed in

the form of promotional posters for a specific theme - Parkour / Freerunning.

• Keywords: dizajn; tipografija; font; integracija; umjetnost kretanja
• Keywords (english): design; typography; font; integration; art of movement
• Language: croatian
• URN:NBN: urn:nbn:hr:216:136208
• Study programme: Title: Printing technology, course Technical - technological; Course: Graphic technology; Study programme type: university; Study level: undergraduate; Academic / professional title: sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka grafičke tehnologije (sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka grafičke tehnologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2024-04-16 15:54:09