Uloga boje u filmovima Wesa Andersona

undergraduate thesis

• Author: Tea Kostanjevec
• Mentor: Daria Mustić (mentor)
• Committee member: Krešimir Dragčević (član povjerenstva)
• Committee member: Daria Mustić (član povjerenstva)
• Committee member: Dorotea Kovačević (član povjerenstva)
• Granter: University of Zagreb; Faculty of Graphic Arts; Zagreb
• Defense date and country: 2022-9-22, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Graphic Technology

Abstract

Ovaj završni rad, detaljnom analizom filmova Wesa Andersona, istražuje jezik boja.

Glavni cilj ovoga rada je prikazati kako je znanje o teoriji boja nužno pri produkciji filma.

Kako bi stekli što bolje razumijevanje, ovaj rad razlučuje komponente teorije boja i

detaljno ih razrađuje uporabom analize različitih filmova. Oslanjajući se na teoriju boja,

Anderson je stvorio vlastitu estetiku i tako pažljivo birao kombinacije boja. Koristeći se

skladnim i upečatljivim paletama, obojao je svoje svjetove i tako stvorio njihov autentičan

i vrlo sjetan izgled. Također, uporabom različitih nijansi boja izgradio je karaktere svojih

likova i odnose među njima. Uravnotežene i savršene kolorističke kompozicije koristio

je kako bi prikazao, ne samo dekorativni, već i narativni, simbolički i komunikacijski

potencijal boje.

Abstract (english)

This final paper, through a detailed analysis of Wes Anderson's films, explores the

language of color. The main goal of this paper is to show how knowledge of color theory

is necessary for film production. In order to gain a better understanding, this paper

separates the components of color theory and elaborates them in detail using the analysis

of different films. Relying on color theory, Anderson created his own aesthetic and thus

carefully selected color combinations. Using harmonious and striking palettes, he painted

his worlds and thus created their authentic and very dreamy appearance. Also, by using

different shades of colors, he built the personality of his characters and the relationships

between them. He used balanced and perfect color compositions to show not only the

decorative, but also the narrative, symbolic and communicative potential of color.

• Keywords: Wes Anderson; teorija boja; film; estetika; kombinacije boja; autentičan izgled; potencijal boje
• Keywords (english): Wes Anderson; color theory; film; aesthetics; color combinations; authentic look; color potential
• Language: croatian
• URN:NBN: urn:nbn:hr:216:287814
• Study programme: Title: Printing technology, course Technical - technological; Course: Graphic technology; Study programme type: university; Study level: undergraduate; Academic / professional title: sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka grafičke tehnologije (sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka grafičke tehnologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2024-04-16 11:36:37