U očima promatrača : usporedna analiza portreta i autoportreta

undergraduate thesis

• Author: Franjo Matković
• Mentor: Miroslav Mikota (mentor)
• Committee member: Ivana Žiljak-Stanimirović (član povjerenstva)
• Committee member: Miroslav Mikota (član povjerenstva)
• Committee member: Nikola Mrvac (član povjerenstva)
• Granter: University of Zagreb; Faculty of Graphic Arts; Zagreb
• Defense date and country: 2016-9-20, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Graphic Technology

Abstract

Kako bi se napravio kvalitetan portret, većina ljudi traži usluge profesionalnog

fotografa. Podrazumijeva se da će fotograf napraviti dobru fotografiju prvenstveno zbog

korištenja sofisticirane opreme i tehničkog znanja koju ista osoba ne posjeduje. Manji

broj ljudi vjeruje i da će fotograf bolje procijeniti u kojem položaju bolje izgleda

njihovo lice i položaj tijela, te ih prema tome usmjeriti.

U ovom radu proveden je eksperiment i istraženo je kako i u kojoj mjeri se razlikuju

autoportret osobe i portret iste osobe koji je napravio fotograf . Učinjeno je to na način

da se otkloni kompozicijski i tehnički aspekt fotografije, odnosno autoportreti i portreti

napravljeni su u identičnim tehničkim uvjetima, s istom fotografskom opremom.

Razliku čini jedino prisustvo fotografa i njegova komunikacija s osobom koju se

portretira.

Po završetku snimanja, svaka od portretiranih osoba odabrala je jedan od svojih

autoportreta koji su zatim uspoređeni s fotografovim odabirom portreta. Tako odabrane

fotografije izložene su jedna kraj druge te je napravljena analiza i utvrđeno je koji

faktori i na koji način utječu na kreiranje portreta, te u kojoj mjeri se viđenje fotografa

razlikuje od toga kako portretirana osoba vidi samu sebe.

Abstract (english)

In order to create a quality portrait, most people seek services of a professional

photographer. Most imply that the photographer will take a better photo primarily due

to the use of sophisticated equipment and tehnical knowledge. A small number of

people also believes that the photographer will better asses the situation in which their

face and body looks better, and therefore direct them to pose accordingly.

In this paper, through an experiment it was explored how and to what extent the portrait

that photographer took differs from a self-portrait. We've done it in a way to eliminate

the compositional and tehnical aspects of photography. Portraits and self-portraits were

made under the same tehnical conditions, with the same photographic equipment. The

only difference was in a presence of photographer and his communication with the

person portrayed.

Upon completion of shooting, each portrayed person chose one of his self-portraits,

which were then compared with the portrait chosen by photographer. Thus, the selected

images were exhibited side by side and analysed to determine which factors and how

affect the creation of the portrait, and the extent to which the vision of the photographer

differs from the how the portrayed person sees him/herself.

• Keywords: fotografija; portret; autoportret; usporeba; analiza
• Keywords (english): photography; portrait; self-portrait; comparison; analysis
• Language: croatian
• URN:NBN: urn:nbn:hr:216:899149
• Study programme: Title: Printing technology, course Technical - technological; Course: Graphic technology; Study programme type: university; Study level: undergraduate; Academic / professional title: sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka grafičke tehnologije (sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka grafičke tehnologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2024-04-16 17:20:29