Kompozicija fotografskih motiva u digitalnoj fotografiji

undergraduate thesis

• Author: Viktor Božičević
• Mentor: Miroslav Mikota (mentor)
• Committee member: Ivana Žiljak-Stanimirović (član povjerenstva)
• Committee member: Miroslav Mikota (član povjerenstva)
• Committee member: Nikola Mrvac (član povjerenstva)
• Granter: University of Zagreb; Faculty of Graphic Arts; Zagreb
• Defense date and country: 2016-9-20, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Graphic Technology

Abstract

Kroz završni rad se teorijski i praktično istražuju kompozicije pojedinih fotografskih motiva realiziranih u digitalnom fotografskom sustavu. Teorijski dio rada pokriva opis i važnosti pojedinih elemenata fotografske kompozicije - odabir objekta (motiva), smještaj objekta (motiva) na slici, naglašavanje objekta (motiva), isticanje detalja na objektu (motivu), te subjektivizaciju objekta (motiva) i strukturalne elemente kompozicije (perspektiva, pravila optičke ravnoteže, područja interesa, linije, tonovi, te boja). Zatim se, kroz odabir pojedinih fotografskih motiva po izboru (pejzaž, arhitektura, mrtva priroda i cvijeće) definiraju parametri i uvjeti snimanja kompozicija navedenih motiva. U praktičnom dijelu rada se kroz digitalni fotografski sustav ostvaruju fotografije odabranih fotografskih motiva temeljem teoretskih saznanja, te se temeljem analize ostvarenih pravila sintetiziraju tehnički i kreativni aspekti fotografske kompozicije.

Abstract (english)

Through this final paper compositions of individual photographic motifs realized in digital photography system are explored theoretically and practically. The theoretical part of the paper covers the description and importance of individual elements of photographic composition - object choice (motive choice), placing an object (motive) in the picture, emphasizing the object (motive), highlighting the details on the object (motive), and object subjectivization (motive subjectivization) and structural elements of the composition (perspective, rules of optical balance, areas of interest, lines, hues and colors). Then, through the selection of individual photographic motifs by choice (landscape, architecture, still life and flowers) composition parameters and shooting conditions of mentioned motives are defined. In the practical part of the paper, images of selected photographic motifs through digital photography system are realized

on the basis of theoretical knowledge, and based on analysis of actual rules, technical and creative aspects of photography composition are synthesized.

• Keywords: Kompozicija; fotografski motivi; parametri snimanja fotografskih motiva; digitalni fotografski sustav
• Keywords (english): Composition; photographic motifs; shooting parameters for photographic motifs; digital photography system
• Language: croatian
• URN:NBN: urn:nbn:hr:216:855685
• Study programme: Title: Printing technology, course Technical - technological; Course: Graphic technology; Study programme type: university; Study level: undergraduate; Academic / professional title: sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka grafičke tehnologije (sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka grafičke tehnologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2024-04-16 17:21:59