Japanska estetika primijenjena na mediju digitalne fotografije

undergraduate thesis

• Author: Mirjana Ikač
• Mentor: Miroslav Mikota (mentor)
• Committee member: Vanda Jurković (član povjerenstva)
• Committee member: Miroslav Mikota (član povjerenstva)
• Committee member: Ivana Žiljak-Stanimirović (član povjerenstva)
• Granter: University of Zagreb; Faculty of Graphic Arts; Zagreb
• Defense date and country: 2015-2-23, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Graphic Technology

Abstract

Otvaranje Japana za trgovinske odnose sa zapadom u devetnaestom stoljeću imalo je značajni utjecaj na vizualne umjetnosti. Taj utjecaj se još uvijek vidljiv u suvremenoj umjetnosti, međutim radi kulturoloških barijera dolazi do svojevrsnog nesporazuma. Specifično japanski koncepti ne nailaze odgovarajuće istoznačnice u drugim jezicima. Sama je estetika nastala kao ogranak zapadnjačke filozofije te se u tom smislu pri definiranju japanskih filozofskih načela u sklopu estetike susreće sa problemom kategorizacije. Međutim, radi lakšeg shvaćanja ta su načela ipak tretirana kao dio, odnosno alternativna grana estetike. Takav pristup omogućuje osvještenije korištenje stečenog znanja, a fotografija kao medij za tu svrhu zanimljiv je izbor radi suvremenih tehnološko-tehničkih mogućnosti, te omogućava spoj drevnih razmišljanja i relativno nove grane umjetnosti. Načela wabi-sabi, mono no aware, shibui i miyabi je korisno razumjeti i radi svojevrsnog drugog vala japonisme na Zapadu, jer globalizacijom i sve većom popularizacijom japanske kulture dolazi do većeg kontakta s istom, ali s time i veći izgledi da se ona na krivi način interpretira.

Abstract (english)

The opening up of Japan to commercial relations with the Western world in the nineteenth century had a significant impact on the visual arts, changing existing approaches. This influence is still strongly intertwined with those arts, however, the principles of it get routinely misinterpreted because of cultural barriers. Japanese concepts do not have readily available and precise translations in other languages. Aesthetics were created as a branch of western philosophy so a problem of categorization arises when talking about Japanese aesthetic principles. However, these principles are treated as a part of aesthetics. This kind of approach allows a more mindful handling of the received knowledge, and photography as a medium for that is an interesting choice because of contemporary technical and technological possibilities, and it allows for a conjunction of ancient thought and a relatively new kind of art. The wabi-sabi, mono no aware, shibui and miyabi principles are useful to know also because of a second wave of Japanese in the West. An increasing amount of contact with the Japanese culture due to globalization and the greater popularization of Japan carry with it a greater risk of misinterpretation.

• Keywords: jednostavnost; asimetrija; nepravilnost; impermanentnost; nepotpunost.
• Keywords (english): simplicity; asymmetry; irregularity; impermanence; incompleteness
• Language: croatian
• URN:NBN: urn:nbn:hr:216:201144
• Study programme: Title: Printing technology, course Technical - technological; Course: Graphic technology; Study programme type: university; Study level: undergraduate; Academic / professional title: sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka grafičke tehnologije (sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka grafičke tehnologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Closed access
• Created on: 2024-04-16 17:59:30