prikaz prve stranice dokumenta Konceptualna fotografija
No public access
undergraduate thesis
Konceptualna fotografija
2014. urn:nbn:hr:216:056510
Ćorić, Marija
University of Zagreb
Faculty of Graphic Arts

Cite this document

Ćorić, M. (2014). Konceptualna fotografija (Undergraduate thesis). Zagreb: University of Zagreb, Faculty of Graphic Arts. Retrieved from https://urn.nsk.hr/urn:nbn:hr:216:056510

Ćorić, Marija. "Konceptualna fotografija." Undergraduate thesis, University of Zagreb, Faculty of Graphic Arts, 2014. https://urn.nsk.hr/urn:nbn:hr:216:056510

Ćorić, Marija. "Konceptualna fotografija." Undergraduate thesis, University of Zagreb, Faculty of Graphic Arts, 2014. https://urn.nsk.hr/urn:nbn:hr:216:056510

Ćorić, M. (2014). 'Konceptualna fotografija', Undergraduate thesis, University of Zagreb, Faculty of Graphic Arts, accessed 25 October 2024, https://urn.nsk.hr/urn:nbn:hr:216:056510

Ćorić M. Konceptualna fotografija [Undergraduate thesis]. Zagreb: University of Zagreb, Faculty of Graphic Arts; 2014 [cited 2024 October 25] Available at: https://urn.nsk.hr/urn:nbn:hr:216:056510

M. Ćorić, "Konceptualna fotografija", Undergraduate thesis, University of Zagreb, Faculty of Graphic Arts, Zagreb, 2014. Available at: https://urn.nsk.hr/urn:nbn:hr:216:056510

Please login to the repository to save this object to your list.
Metadata
TitleKonceptualna fotografija
AuthorMarija Ćorić
MentorMiroslav Mikota (mentor)
Committee memberJesenka Pibernik (član povjerenstva)
Committee memberMiroslav Mikota (član povjerenstva)
Committee memberNikola Mrvac (član povjerenstva)
GranterUniversity of Zagreb
Faculty of Graphic Arts
Zagreb
Defense date and country2014-9-19, Croatia
Scientific / art field,
discipline and subdiscipline		TECHNICAL SCIENCES
Graphic Technology
Abstract
Ovaj rad govori o konceptualnoj fotografiji, objašnjava uvjete i razloge zbog kojih se javlja konceptulana umjetnost i zašto je fotografija bila najveći nositelj tog pokreta. Analizira se rad umjetnika koji su doveli do nastanka konceptualizma i glavnih predstavnika. Osim toga,važna je i primjena konceptualne fotografije ili umjetnosti u današnjem svijetu o čemu će također biti riječi. Glavno oružje svih konceptualnih umjetnika je ideja,odnosno neka zamisao koja se krije iza umjetničkog djela. Teorijski dio bit će usmjeren na nastanak i povijest konceptualne umjetnosti i fotografije,a praktični dio će se bazirati na razvoj ideje,koncepta i realizaciju te ideje.
Abstract (english)
This paper discuss the conceptual photography and explains the conditions and reasons why it occurs conceptual art and why the photograph was the largest holder of that movement. It analyzes the work of the artists that led to the emergence of conceptualism and the main representatives. In addition, an important feature is the use of conceptual photography or art in today's world which will also be discussed. The main weapon of all is the idea of conceptual artists, or some idea behind the artwork. The theoretical part will focus on the origin and history of conceptual art and photography, while the practical part will be based on the development of an idea, concept and realization of these ideas.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:216:056510
Study programmeTitle: Printing technology, course Technical - technological
Course: Graphic technology
Study programme type: university
Study level: undergraduate
Academic / professional title: sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka grafičke tehnologije (sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka grafičke tehnologije)
Type of resourceText
File originBorn digital
Access conditionsClosed access
Terms of useLicence In copyright icon
Created on2024-04-16 18:04:25