Tehnički i kreativni pristup podvodnoj fotografiji

master's thesis

• Author: Tamara Vukelić
• Mentor: Miroslav Mikota (mentor)
• Committee member: Miroslav Mikota (član povjerenstva)
• Granter: University of Zagreb; Faculty of Graphic Arts; Zagreb
• Defense date and country: 2012-12-06, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Graphic Technology

Abstract

Svijet u pokretu zajednički je i podvodnoj i “kopnenoj” fotografiji. Trenutak zabilježen fotoaparatom ne može se vratiti i predstavlja izazov, ali i jedinstvenu čaroliju podvodnih snimanja što je tema ovog diplomskog rada. Podvodna je fotografija specifična jer su optičko-fizikalne osobine vode bitno drugačije od zraka, stoga oprema, metode rada, osvjetljenje i ostali uvjeti snimanja zahtijevaju poseban pristup. Zbog mnogih ograničenja, podvodna je fotografija malo istraženo područje i fotografu pustolovina, poticaj i kušnja. Uz znanje o fotografiji podrazumijeva se i znanje o podmorskom svijetu, što je čini kombinacijom lova i umjetnosti. U podvodnom snimanju nema se vremena za klasično kadriranje fotografije jer je većina objekata u pokretu, a ono po čemu se najviše razlikuje od “kopnene” je specifičan način kretanja fotografa koji onemogućuje perfekcionizam kompozicije i prisiljava na improvizaciju. Za dobre rezultate u podvodnoj fotografiji potrebno je predznanje o osnovama fotografije, poput znanja o namještanju vremena eksponiranja, otvora objektiva, dubinske oštrine, mogućnostima objektiva, bljeskalicama i slično. To su segmenti o kojima se govori u ovom diplomskom radu u uvodu u osnove pristupa podvodnoj fotografiji. U radu se obraća pozornost na početak i razvoj podvodne fotografije, tehnike snimanja i opremu te umjetnički pristup i odabir objekata snimanja. Praktični dio diplomskog rada čine autorske podvodne fotografije koje se analiziraju tehniči i kreativno.

Abstract (english)

World in motion is characteristic of both underwater and of on land taken photography. The moment captured with the camera can not ever again be returned, and on one hand it feels like challenge, and on the other hand, it offers unique magic experience of taking photos underwater. The latter is the theme of this diploma thesis. Circumstances in which the underwater photography is taken are specific because the optical and physical properties of water are significantly different than those of air. Therefore, the equipment, methods of operation, lighting and other shooting conditions require a special approach. It is because of many limitations why the underwater photography is still relatively unexplored world. For the underwater photographer, this is an adventure, an impulse and temptation. Besides having the knowledge of photography, the underwater photographer has to have knowledge of submarine world, and this is why the underwater photography is a combination of hunting and art. While taking photos underwater there is no time to frame the object because they are mostly in motion. The most significant difference between the underwater and on land taken photography is the way the photographer has to move. These specific movements make it impossible for him to make a perfect composition and he has to improvise. Good results in underwater photography require knowledge in basic photography referring to things like adjusting exposure time, aperture, depth-of-field, lens options, photographic flashcubes and etc. The above mentioned segments are discussed in the introductory part of the Basics of the Approach to Taking of Underwater Photography. The thesis is focused on the history and the course of development of underwater photography, the shooting techniques and equipment as well as on the artistic approach and selection of shooting object. The practical part of this diploma thesis consists of my own underwater photograhies which are analysed with regard to technical as well as creative aspect.

• Keywords: podvodna fotografija; oprema za podvodnu fotografiju; tehnike snimanja
• Keywords (english): underwater photography; underwater photography equipment and added parts of equipment; photography session techniques
• Language: croatian
• URN:NBN: urn:nbn:hr:216:475889
• Study programme: Title: Graphic technology; specializations in: Graphic technology, Design of graphic products; Course: Graphic technology; Study programme type: university; Study level: graduate; Academic / professional title: sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije (sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Closed access
• Created on: 2024-04-17 08:54:35