Primjena rotoskopske tehnike u animaciji

master's thesis

• Author: Jelena Akšamović
• Mentor: Maja Strgar Kurečić (mentor)
• Committee member: Maja Strgar Kurečić (član povjerenstva)
• Committee member: Miroslav Mikota (član povjerenstva)
• Committee member: Ivana Žiljak-Stanimirović (član povjerenstva)
• Granter: University of Zagreb; Faculty of Graphic Arts; Zagreb
• Defense date and country: 2014-3-4, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Graphic Technology

Abstract

Diplomski rad se odnosi na rotoskopiju, tehniku animacije u kojoj animatori precrtavaju snimku- fotografiju za fotografijom. Ovakvim načinom animiranja se dolazi do vrlo vjernih prikaza pokreta, iako stil animacije ne mora nužno biti realističan. Pri ovoj tehnici se originalno koristio poseban uređaj zvan rotoskop na kojem bi animator preslikavao kadrove na staklo na kojem se nalazila celuloidna crtaća podloga. Danas rotoskop zamjenjuju računala te je upotrebom raznih softverskih programa i sama tehnika postala digitalizirana. Rad će se osvrnuti na povijest tehnike, pregled i kratku analizu raznih rotoskopskih radova kao i pregled novijih ostvarenja. Kroz praktični dio rada detaljnije će se razraditi sam način izrade ovakvih filmova kroz nekoliko različitih tehnika rotoskopiranja, od ručnog pa sve do izrade u digitalnim programima. Također, istražit će se na koji način broj kadrova u sekundi utječe na konačni stilski rezultat izradom klasičnog videa od 24 fotografije u sekundi i stvaranjem stop motion rotoskopske animacije. Rad će se osvrnuti i na usporedbu rotoskopije s modernom motion capture tehnikom animiranja.

Abstract (english)

This final thesis relates to rotoscoping, an animation tehnique in which animators draw over video frames. In this way, animated motions are very lifelike, eventhough the animation style doesn't necessarily need to be realistic. Originaly, a special device called rotoscope was used for this tehnique. The animator would draw over frames on the glass panel which contained a cel background. Today, this equipement is replaced by computers and by a variety of digital software. The paper will reflect on the history of this tehnique, a review and short analysis of early rotoscope works and a review of recent achievements. The way of making these animated films will be examined through practical work. A few tehniques of rotocoping will be researched- from hand drawn rotoscopes to digital graphical programes. Also, through practical work will be examined in which way the number of frames per second effects the final result. The paper will also adress the comparison in rotoscoping and the modern motion capture tehnique.

• Keywords: Rotoskopija; Animacija; Video frame; Fotografija; Vizualni efekti; Motion capture; Adobe Photoshop; Adobe AfterEffects; Ključni crtež/ fotografija
• Keywords (english): Rotoscoping; Animation; Video frame; Photography; Visual effect; Motion capture; Adobe Photoshop; Adobe AfterEffects; Key frame
• Language: croatian
• URN:NBN: urn:nbn:hr:216:614615
• Study programme: Title: Graphic technology; specializations in: Graphic technology, Design of graphic products; Course: Graphic technology; Study programme type: university; Study level: graduate; Academic / professional title: sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije (sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2024-04-18 18:37:15