Infracrvena fotografija

master's thesis

• Author: Antonija Vresk
• Mentor: Maja Strgar Kurečić (mentor)
• Committee member: Vesna Džimbeg Malčić (član povjerenstva)
• Committee member: Maja Strgar Kurečić (član povjerenstva)
• Committee member: Vilko Žiljak (član povjerenstva)
• Granter: University of Zagreb; Faculty of Graphic Arts; Zagreb
• Defense date and country: 2013-9-25, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Graphic Technology

Abstract

U ovom radu obuhvaćene su osnovne razlike između infracrvenih fotografija snimanih pomoću dviju tehnika: digitalnom i analognom tehnikom. Postoje tri različite metode snimanja infracrvenih fotografija: pomoću infracrvenog crno-bijelog filma koji je se-nzibiliziran na infracrveno područje, digitalnog fotoaparata uz pomoć infracrvenih filtara koji zaustavlju prodiranje zraka vidljivog dijela spektra i digitalnog fotoaparata kojemu je uklonjen zaštitni (unutarnji) filtar. U ovom radu opisane su prve dvije tehnike.

U povijesnom pregledu ovoga rada objašnjeni su osnovni postupci senzibiliziranja ploča i filmova kao i određena bojila koja su se koristila za povećavanje osjetljivosti. Također su opisani određeni infracrveni filmovi, njihova svojstva i primjena. Pokazana je osnovna tehnika snimanja analognih i digitalnih fotografija sa svojim prednostima i nedostacima komparativnom metodom. Specifičnost digitalne infracrvene fotografije je način na koji CCD i CMOS senzori reagiraju na infracrveno zračenje.

Danas infracrvena fotografija ima višestruku primjenu u znanosti, astronomiji, geologiji i mnogim drugim granama. Infracrvena fotografija ljudima omogućava spoznaju novih stvari koje su nevidljive ljudskom oku.

Ovaj rad pokazuje da se infracrvena fotografija može koristi i u umjetnosti i to na način kao i fotografija snimana u vidljivom spektru.

Abstract (english)

This paper covers the basic differences between the infrared images recorded using two techniques, digital and analog technology. There are three different methods of recording infrared photography, using infrared black and white film that is sensitized to infrared spectrum, with digital camera that uses infrared filter which stops penetration of visible spectrum, and the digital camera, which had removed Internal Cut Filter, this paper covers the first two techniques.

The historical part of this paper explains the basic procedures sensitizing plates and films as well as certain dyes that were used to increase sensitivity. In paper is also included a description of the infrared films their properties and applications. It is demonstrated the basic technique of recording analogue and digital photography with their advantages and disadvantages, in comparative method. The particularity of digital infrared photography is the way the CCD and CMOS sensors react to the infrared radiation.

Today infrared photography has multiple applications in science, astronomy, geology and many other fields. Infrared photography allows humans to find new things that are invisible to their eyes.

This paper shows that infrared photography can be used in artistic photography in the same way as phography taken in the visible spectrum.

• Keywords: Infracrvena fotografija; Woodov efekt; unutarnji filtar; infracrveni film; Photoshop
• Keywords (english): Infrared photography; Wood effect; Internal Cut Filter; Infrared film; Photoshop
• Language: croatian
• URN:NBN: urn:nbn:hr:216:842694
• Study programme: Title: Graphic technology; specializations in: Graphic technology, Design of graphic products; Course: Graphic technology; Study programme type: university; Study level: graduate; Academic / professional title: sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije (sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Closed access
• Created on: 2024-04-18 18:42:30