Moderna dagerotipija

master's thesis

• Author: Martina Krešić
• Mentor: Miroslav Mikota (mentor)
• Committee member: Maja Strgar Kurečić (član povjerenstva)
• Committee member: Miroslav Mikota (član povjerenstva)
• Committee member: Ana Nemec (član povjerenstva)
• Granter: University of Zagreb; Faculty of Graphic Arts; Zagreb
• Defense date and country: 2013-9-23, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Graphic Technology

Abstract

Dagerotipija je bila prva praktična metoda zapisa slike pomoću svjetla. Nazvana je prema Loisu Jacquesu Mandeu Daguerreu koji je nakon proučavanja heliografije razvio svoju tehniku izrade direktnih pozitiva na bakrenim pločama oslojenim fotoosjetljivim slojem. Ova tehnika je u vrijeme nastanka dovela do unaprjeđenja znanosti i istraživanja, no krajem 19. stoljeća zamijenjena je novim tehnikama izrade fotografija. Tek polovicom 20. stoljeća ova empirijska metoda se znanstveno počinje istraživati i definirati. Ovaj rad bavi se nastankom i poviješću dagerotipije, njenom izvornom tehnikom te raznim pristupima i principima izrade dagerotipija devetnaestog stoljeća, njihovim unapređenjima i danas, potencijalno, aktualnim rješenjima. Uspoređuju se razni postupci i njihove razlike te analizira njihova primjenjivost u današnje vrijeme. U praktičnom dijelu izrađuju se dagerotipije jednom od klasičnih tehnika te se istražuje optimalno vrijeme eksponiranja i otvora objektiva uz zadane uvjete snimanja. Također se razmatra mehanička i kemijska zaštita dagerotipija koje zbog specifičnih svojstava izrade ostaju izuzetno osjetljive na atmosferske uvjete. Rezultat praktičnog dijela prikazuje se kao umjetnički portfelje dagerotipije.

Abstract (english)

Daguerreotype was the first practical method of recording images by using light. It was named by Lois Jacques Daguerre Mandela who after studying heliography, developed his technique of making direct prints on copper plates coated with photosensitive layer. Occurrence of this technique led to the improvement of science and research, but in the late 19th century it has been replaced by new techniques of making photographs. It was in second half of the 20th century that this empirical method started being explored and defined scientifically. This paper deals with the origin and history of the daguerreotype, its original technique and various approaches and principles of making daguerreotypes of the nineteenth century, their potential improvement today and current solutions. Various methods with their differences are being compared and analyzed together with their applicability in the present time. In the practical part daguerreotypes are made with one of the classic techniques with exploration of the optimal exposure time and aperture to set the shooting conditions. It also discusses the mechanical and chemical protection of daguerreotypes that due to the specific characteristics of production remain extremely sensitive to atmospheric conditions. The result of the practical part is displayed as an art portfolio of daguerreotypes.

• Keywords: Dagerotipija; fotografija; izrada; znanost; umjetnost
• Keywords (english): Daguerreotype; photo; production; science; art
• Language: croatian
• URN:NBN: urn:nbn:hr:216:765542
• Study programme: Title: Graphic technology; specializations in: Graphic technology, Design of graphic products; Course: Graphic technology; Study programme type: university; Study level: graduate; Academic / professional title: sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije (sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Closed access
• Created on: 2024-04-18 19:04:21