Fantastična fotografija

master's thesis

• Author: Anamaria Klarić
• Mentor: Miroslav Mikota (mentor)
• Committee member: Maja Strgar Kurečić (član povjerenstva)
• Committee member: Miroslav Mikota (član povjerenstva)
• Committee member: Nina Knešaurek (član povjerenstva)
• Granter: University of Zagreb; Faculty of Graphic Arts; Zagreb
• Defense date and country: 2013-09-26, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Graphic Technology

Abstract

Sredinom pedesetih godina fantastika se postupno afirmirala na obje strane Atlantika. Snimatelji su najprije upotrijebili fotoaparat za postizanje krajnjih vizualnih efekata, primjenjujući posebne leće i filtre kako bi promijenili izgled snimljenoga, katkad do neprepoznatljivosti. Ali od sedamdesetih godina počeli su primjenjivati uglavnom tiskarske tehnike, a rezultati su često bili više nego zapanjujući. Ovakvo manipuliranje fotografijom prvi je uporabio engleski fotograf njemačkog podrijetla – Bill Brandt. Njegove fotodokumentacije su često režirani na način da prenose osobni komentar društvene stvarnosti po uzoru na komentare iz vremena Viktorijanske književnosti. Amerikanac Jerry Uelsmann, pored svojih veselih fotografija, često koristi arhetipske slike iz podsvijesti u nasumičnom izrazu ostvarujući slike prepune psiholoških simbola. Joanne Leonard 1980-tih, koristi fantastične slike kao autobiografski izraz, te potresne fotografije pokojnog Davida Wojnarowicza, a fotografski opus talijanskog fotografa Augusta De Luce obilježile su slike koje su u svezi s fotografskim eksperimentiranjem. Cilj rada je objediniti saznanja o autorima i tehnikama te načinima izražavanja kroz različite periode te ih prikazati kroz zajednički nazivnik fantastična fotografija.

Abstract (english)

In the mid-fifties, fiction gradually asserted itself on both sides of the Atlantic. Cameramen were the first use the camera to achieve final visual effects, using special lenses and filters to alter the look of their recordings, sometimes beyond recognition. However, since the seventies they have begun to apply mainly printing techniques, and the results were often more than stunning. Such manipulation of images was first used by the English photographer of German origin - Bill Brandt. His photographic documentation was often used to convey a personal comment on social reality, modeled on the comments from the time of Victorian literature. American Jerry Uelsmann, along with his cheerful photographs, often used archetypal images of the subconscious in a random expression, creating images laden with psychological symbols. Joanne Leonard (1980s), used stunning visuals as autobiographical expression, and disturbing images of the late David Wojnarowicz and a photographic opus of Italian photographer Augusta De Luce marked images that are related to his photographic experimenting. The aim of this paper is to consolidate information about the authors, the techniques and forms of expression through the common denominator of stunning photos.

• Keywords: fantastika; eksperiment; manipulacija; tiskarske tehnike
• Keywords (english): fantastic (stunning); experiment; manipulation; printing techniques
• Language: croatian
• URN:NBN: urn:nbn:hr:216:216533
• Study programme: Title: Graphic technology; specializations in: Graphic technology, Design of graphic products; Course: Graphic technology; Study programme type: university; Study level: graduate; Academic / professional title: sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije (sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Closed access
• Created on: 2024-04-18 19:05:23