Tehnički aspekti i semantika fotografije krupnog plana

master's thesis

• Author: Marin Begović
• Mentor: Miroslav Mikota (mentor)
• Committee member: Stanislav Bolanča (član povjerenstva)
• Committee member: Miroslav Mikota (član povjerenstva)
• Committee member: Ana Nemec (član povjerenstva)
• Granter: University of Zagreb; Faculty of Graphic Arts; Zagreb
• Defense date and country: 2013-3-1, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Graphic Technology

Abstract

Plan predstavlja odnos glavnog objekta na fotografiji i okoline te kao takav ima veliku

ulogu pri samom kadriranju u fotografiji uz rez i rakurs. U sferi fotografije postoje

različiti tipovi planova kao što su total plan, srednji plan, krupni plan i detalj. U ovom

radu obrađuje se pojam krupnog plana u fotografiji. U teoretskom dijelu obrađuje se

tehnički aspekt dobivanja fotografije krupnog plana kao i definiranje podtipova

fotografije krupnog plana kao što su makrofotografija, mikrofotografija i close-up

fotografija. Također se obrađuje problematika semantike fotografije krupnog plana kao i

kompozicijski aspekt pri izradi same fotografije. U praktičnom dijelu rada izrađuju se

fotografije u kojima se pri samom snimanju te završnoj obradi koristite prikupljena

znanja i tehnike s područja close-up i makro fotografije koje su prethodno obrađene u

teoretskom dijelu rada, primjenjujući pritom i znanja s područja semantike i

kompozicije fotografije krupnog plana, isključujući snimanje mikrofotografija zbog

visokih tehničkih zahtjeva. Temeljem teoretskih razmatranja snimaju se fotografije

krupnog plana koristeći pritom različite rezove i rakurse te se shodno tome analiziraju

tehnički i semantički.

Abstract (english)

Shot (by field size) represents the main object in image in respect to its surroundings,

and therefore plays a very important role when framing a photograph in addition to

aspect ratio and camera angle. There are several different types of shots in photography,

for example: long shot, full shot, medium shot, close-up and extreme close-up. This

thesis has a main focus on close-up shot in photography. First part of thesis is about

technical reqirements for close-up photography and defining sub types of close-up

photography like macrophotography, microphotography and close-ups. Semantic issues

as well as composition itself were also analysed. The second part of thesis is about

merging gained knowledge about close-up and macro photography, composition and

semantics discussed in the first part of thesis into photographs. Microphotography was

not included due to high technical requirements. Close-up and macro photographs were

taken with varying aspect ratios and with different camera angles and were technicaly

and semantically analysed thereafter.

• Keywords: fotografija krupnog plana; kompozicija; semantika; makrofotografija; mikrofotografija
• Keywords (english): close-up photography; composition; semantics; macrophotography; microphotography
• Language: croatian
• URN:NBN: urn:nbn:hr:216:193179
• Study programme: Title: Graphic technology; specializations in: Graphic technology, Design of graphic products; Course: Graphic technology; Study programme type: university; Study level: graduate; Academic / professional title: sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije (sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Closed access
• Created on: 2024-04-18 19:12:36