Interakcija ljudskog bića i prostora kroz autoportret

master's thesis

• Author: Ivona Nestić
• Mentor: Miroslav Mikota (mentor)
• Committee member: Ivana Žiljak-Stanimirović (član povjerenstva)
• Committee member: Miroslav Mikota (član povjerenstva)
• Committee member: Ivana Bolanča-Mirković (član povjerenstva)
• Granter: University of Zagreb; Faculty of Graphic Arts; Zagreb
• Defense date and country: 2017-9-26, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Graphic Technology

Abstract

"Interakcija ljudskog bića i prostora" može se skratiti u "proučavanje"

autoportretne fotografije, s posebnom pažnjom na jednom od elemenata analize

- odnos figure i pozadine.

Autoportret je vizualni umjetnički izričaj i kao takav postoji oduvijek. Iako je

počeo kao vježba tehnike, umjetnici ga u renesansi preuzimaju za prikazivanje

svog identiteta, dodajući svome liku odjeću, pozadinu i predmete koji su davali

informacije o zanimanju i statusu. Isto je tako počeo i u fotografiji. Danas se

susreću praktični „selfie“ autoportreti koji svima omogućuju kontroliranje

osobnog prikaza i prenošenje informacija.

Potreba za stvaranjem našeg prikaza seže daleko u povijest. Tipična je jedino

za ljude i ima psihološki značaj zbog efekta davanja važnosti prikazanome time

što smo odlučili da će biti zabilježeno.

Eksperimentalno su stvoreni razni tipovi autoportreta - ambijentalni, simbolički i

"selfie" autoportreti. Prikupljene su informacije o glavnim komponentama

umjetničkog djela – temi, formi i sadržaju - te je zatim po uputstvima za analizu

obavljena analiza radova. Objektivna analiza poruke koju fotografija prenosi

pomogla je izgradnji samokritike i razumijevanju kreacije fotografijom.

Ovaj rad ima potencijal osvijestiti o sveobuhvatnosti fotografskog autoportreta,

educirati i potaknuti na dodatno istraživanje. Radovi imaju potencijal biti dio

serije autoportreta.

Abstract (english)

“The interaction between human being and nature” can be shortened to “study”

of self-portrait photography, with special emphasis on one of the elements of

analysis – the relation between figure and background.

Self-portrait was always present as a mean of artistic expression. Even though

it started as an exercise in technique, in renaissance it served the artists as a

way of showing more about their identity. Adding clothes, background and

objects to the portrait showed more information about their profession and

status. First that happened with painters and later with photographers as well.

Today there are practical selfie self-portraits that allow everyone to control their

personal presentation and communication of information.

The need to create our own depiction dates far back in history. It is typical only

for humans. The psychological importance is in giving value to something

simply by deciding that it will be captured.

In this work three types of self-portraits have been created – ambient, symbolist

and selfie self-portraits. Theoretical information about the main components of

artwork (subject, form and content) had been gathered. Analysis of original

artworks had been performed following the rules of formal analysis. The

objective analysis helped to establish understanding of the creation of

photography and to obtain a healthy dose of self-criticism.

This work has the potential to bring to consciousness the full scale of selfportrait photography, to educate and inspire for further research. The presented

artworks have the potential to be a part of a self-portrait series.

• Keywords: lik; pozadina; autoportret; interakcija; analiza
• Keywords (english): form; background; self-portrait; interaction; analysis
• Language: croatian
• URN:NBN: urn:nbn:hr:216:615866
• Study programme: Title: Graphic technology; specializations in: Graphic technology, Design of graphic products; Course: Graphic technology; Study programme type: university; Study level: graduate; Academic / professional title: sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije (sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2024-04-18 21:57:26