Svjetlosne ilustracije

master's thesis

• Author: Ana Lovrić
• Mentor: Maja Strgar Kurečić (mentor)
• Committee member: Lidija Mandić (član povjerenstva)
• Committee member: Maja Strgar Kurečić (član povjerenstva)
• Committee member: Davor Donevski (član povjerenstva)
• Granter: University of Zagreb; Faculty of Graphic Arts; Zagreb
• Defense date and country: 2018-9-28, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Graphic Technology

Abstract

Cilj ovog istraţivanja bio je dati pregled postojećih tehnika light painting fotografije i

pri tome prikazati jedan od naĉin kombiniranja te tehnike u kreativne svrhe. U

grafiĉkom dizajnu poznavanje svojstava i karakteristika boje jedna je od najvaţnijih

stavki. Kako je poznato i definirano boja je osjetilni doţivljaj koji nastaje kada svjetlost

karakteristiĉnog spektra pobudi receptore u mreţnici oka. U ovom radu taj spektar

svjetlosti biljeţio je senzor fotoaparata tijekom duge ekspozicije i kao rezultat dobili

smo fotografije s odreĊenim motivima. Prije samog izuma fotografije veliko znaĉenje

imala je ilustracija ĉiji poĉetci seţu još u starom Egiptu kada se radila na papirusu.

Upravo je to bio jedan od glavnih motiva spojiti ilustraciju i fotografiju u jednu cjelinu s

neuobiĉajenim alatom za stvaranje boje a to je bila svjetlost.

Postupak izrade i greške koje su se javile tijekom snimanja detaljno su opisane kako bi

se objasnio tijek rada od poĉetnog planiranja do konaĉnog rezultata. Osim toga opisao

se uvid u kreativni i tehniĉki proces izrade ilustracije na potpuno drugaĉiji naĉin od

uobiĉajenog. Uz izradu ilustracija opisan je i postupak korištenja ilustracija u izradi

gifa i tisku na tekstil kao primjer daljnje upotrebe. Glavna hipoteza ovoga rada bila je da

se spajanjem fotografske tehnike light paintinga i šablona moţe stvoriti novi naĉin

ilustriranja odreĊenih motiva, i da se prezentiranjem nove tehnike moţe pobuditi interes

za drugaĉijim naĉinima korištenja već viĊenih i uobiĉajenih tehnika.

Abstract (english)

The aim of this research was to give an overview of the existing light painting

photography techniques and to show one of the ways of combining these techniques

with creative purposes. In graphic design, knowledge of features and color

characteristics is one of the most important items. As known and defined, color is a

sensory experience that arises when light of a characteristic spectrum triggers receptors

in the eye mesh. In this paper, this spectrum of light was recorded by the camera sensor

during long exposure and as a result we received photos with certain motifs. Prior to the

invention itself, the picture had a great significance with an illustration whose

beginnings still arise in ancient Egypt when it was done on papyrus. It was just one of

the main motifs to combine illustration and photography into a single entity with an

unusual color-forming tool, and that was the light.

The fabrication process and the errors that occurred during the shooting are described in

detail to explain the workflow from the initial planning to the final result. In addition, he

described the creative and technical process of making illustrations in a completely

different way from the usual. As well as making the illustration, there is also described

the process of using the illustration in making gif and textile printing as an example of

further use. The main hypothesis of this paper was that the joining of photographic

techniques of light painting and template can create a new way of illustrating certain

motifs and that presenting a new technique can stimulate interest in different ways of

using the already seen and common techniques.

• Keywords: Light painting; skica; šablona; ilustracija; svjetlost
• Keywords (english): Light painting; sketch; template; illustration; light
• Language: croatian
• URN:NBN: urn:nbn:hr:216:597457
• Study programme: Title: Graphic technology; specializations in: Graphic technology, Design of graphic products; Course: Graphic technology; Study programme type: university; Study level: graduate; Academic / professional title: sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije (sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Closed access
• Created on: 2024-04-18 22:34:58