Intermedijalnost kazališne fotografije

master's thesis

• Author: Tajana Grbić
• Mentor: Miroslav Mikota (mentor)
• Committee member: Krešimir Dragčević (član povjerenstva)
• Committee member: Miroslav Mikota (član povjerenstva)
• Committee member: Denis Jurečić (član povjerenstva)
• Granter: University of Zagreb; Faculty of Graphic Arts; Zagreb
• Defense date and country: 2020-09-23, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Graphic Technology

Abstract

Kazališna fotografija jest umjetničko viđenje drugih umjetnosti, u ovom slučaju scenske izvedbe i svih umjetničkih elemenata koji ju sačinjavaju (kostimografija, scenografija, rekvizita, dizajn rasvjete itd.). Kroz kratki povijesni pregled, dobivamo uvid o tome kako je fotografija utjecala na sliku glumca u društvu, ali i gdje je sve ona važna bilo na sceni i izvan nje. Rad prolazi kroz teorijska razmišljanja o kazališnoj fotografiji kao dokumentu za analizu kazališnog čina, te kao mediju s obilježjima koja nadilaze dokumentaciju. Dramaturška istraživanja društva i njihova implementacija u scenske izvedbe fotografiji omogućavaju infiltraciju u kazališnu izvedbu. Rad daje primjere i ovog vida intermedijalnosti kazališne fotografije. Snimanje dramskog performansa se može održati u kazališnoj dvorani u kontroliranim (ali nepredvidivim) svjetlosnim uvjetima ili, rjeđe, pod prirodnim svjetlom, prilikom dnevnih izvedbi. Eksperimentalni dio rada prolazi kroz neke osnovne specifikacije fotoaparata te prikazuje njihovu međuovisnost i kako se one ponašaju u uvjetima slabog osvjetljenja tipičnog za kazališnu izvedbu. Publika doživljava kazališnu izvedbu na različite načine pa je tako zanimljivo proći i kroz neka pravila kadriranja kojima se dobivaju tetralni prikazi i van teatra – u fotografiji.

Abstract (english)

Theatrical photography is an artistic vision of other arts, in this case stage performance and all the artistic elements that make it up (costume design, scenography, props, lighting design, etc.). Through a brief historical overview, we get an insight into how photography has affected the image of the actor in society, but also, where else is it important whether on stage or outside of it. The paper goes through theoretical reflections on theatrical photography as a document for the analysis of a theatrical act, and as a medium with features that go beyond documentation. Dramaturgical research of the society and its implementation in stage performances, enable infiltration of photography into theatrical performance. This thesis gives examples of this type of intermediality of theatrical photography. The act of capturing a dramatic performance can take place in a theater hall in controlled (but unpredictable) lighting conditions or, less frequently, under natural light, during daytime performances. The experimental part of the paper goes through some basic camera specifications and shows their interdependence and how they behave in low light conditions typical of theatrical performance. The audience experiences theatrical performance in different ways, so it is so interesting to go through some framing rules that give a certain dramatic acpect of theatrical performances outside the theater - in photography.

• Keywords: kazališna fotografija; intermedijalnost; mediji; umjetnost; svjetlost
• Keywords (english): theare photography; intermediality; media; art; light
• Language: croatian
• URN:NBN: urn:nbn:hr:216:180969
• Study programme: Title: Graphic technology; specializations in: Graphic technology, Design of graphic products; Course: Graphic technology; Study programme type: university; Study level: graduate; Academic / professional title: sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije (sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Closed access
• Created on: 2024-04-18 23:23:02