Boja kao tehnički i sintaktičko-semantički element crno-bijele fotografske slike

master's thesis

• Author: Zvonimir Džoić
• Mentor: Miroslav Mikota (mentor)
• Committee member: Nikola Mrvac (član povjerenstva)
• Committee member: Miroslav Mikota (član povjerenstva)
• Committee member: Krešimir Dragčević (član povjerenstva)
• Granter: University of Zagreb; Faculty of Graphic Arts; Zagreb
• Defense date and country: 2020-9-24, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Graphic Technology

Abstract

Digitalni fotografski aparati imaju mogućnost snimanja fotografja s različitim modovima

snimanja (Picture Style), a za potrebe ovoga rada korišten je mod Standard koji kao

produkt snimanja daje kolor digitalnu fotografsku sliku i mod Monochrome koja kao

produkt daje crno-bijelu digitalnu fotografsku sliku.

U eksperimentalnom dijelu ovoga rada digitalnim fotografskim aparatom snimljeni su

neki od karakterističnih motiva s prethodno navedenim modovima snimanja. Nakon toga

izvršena su četiri moda konverzije kolor digitalnih fotografskih slika u crno-bijele slike,

a isti postupak konverzije je napravljen i sa standardiziranom X-rite tablicom boja s 24

polja.

Proveden je anketni upitnik s digitalnim fotografskim slikama snimljenim u koloru, crnobijelom zapisu i konvertiranim crno-bijelim slikama, kao i različite konverzije tablice

boja u crno bijeli zapis kako bi se dobile deskriptivne i mjerne procjene crno-bijelih

fotografskih slika.

Cilj ovoga rada je usporedbom rezultata anketnog upitnika i rezultata dobivenih mjerenjem

u digitalnom laboratoriju doći do zaključaka kako određene konverzije utječu na tehničke

i sintaktičko-semantičke karakteristike boje.

Abstract (english)

Digital cameras can take photos with different shooting modes (Picture Style), and in this

paper, two modes have been used. The Standard mode which as a product gives a digital

photo in color and Monochrome mode which as a product gives a black and white digital

photo.

In the experimental part of this paper, all the motifs were captured with a digital camera

using the previously mentioned shooting modes. After that, using four different modes of

photo conversion, photos in color were converted to black and white. The same conversion

procedure was made with a standardized X-rite color table with 24 felds.

A questionnaire was conducted with digital photos captured in color, black and white, and

converted black and white, as well as various color table conversions to black and white

to obtain descriptive and measurement estimates of black and white photos.

This paper aims to compare the results of the questionnaire and the results obtained

by measurement in a digital laboratory to conclude that certain conversions affect the

technical and syntactic-semantic characteristics of color.

• Keywords: Kolor fotografja; crno-bijela fotografja; boja; RGB zapis; konverzije
• Keywords (english): Color photography; black and white photography; color; RGB format; conversions
• Language: croatian
• URN:NBN: urn:nbn:hr:216:700320
• Study programme: Title: Graphic technology; specializations in: Graphic technology, Design of graphic products; Course: Graphic technology; Study programme type: university; Study level: graduate; Academic / professional title: sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije (sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Closed access
• Created on: 2024-04-18 23:24:40