Usporedna analiza klasičnog i digitalnog fotografskog sustava

master's thesis

• Author: Jurica Kos
• Mentor: Miroslav Mikota (mentor)
• Committee member: Ivana Žiljak-Stanimirović (član povjerenstva)
• Committee member: Miroslav Mikota (član povjerenstva)
• Committee member: Nikola Mrvac (član povjerenstva)
• Granter: University of Zagreb; Faculty of Graphic Arts; Zagreb
• Defense date and country: 2016-9-27, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Graphic Technology

Abstract

U svakodnevnom životu svi smo svjedoci korištenja, ali i prednosti digitalne

fotografije i njezinog pohranjivanja. Fotografija se pojavljuje u mnogim

područjima, no ovdje je naglasak stavljen na usporedbu klasične fotografije

srednjeg formata i digitalne fotografije leica formata. Digitalni fotografski

aparati omogućuju pregled snimaka na licu mjesta (bez razvijanja), što znači

da fotograf može lako uočiti greške kod snimanja i ispraviti ih dok još nije

prekasno. Postavlja se pitanje: Zašto određeni profesionalci još uvijek

fotografiraju na film? S druge strane, mnogi fotografi s digitalnim sustavima

pomoću obrade pokušavaju emulirati estetiku filma dobivenog klasičnim

sustavima. Činjenica je da i danas uz svu tehnologiju postoji određena

fascinacija koja obavija klasične sustave. Ta fascinacija može ležati u samim

ograničenjima sustava koja fotografa tjeraju na pomno promišljanje kadrova,

estetici filma koja se dugi niz godina provlači u obradi digitalnih fotografija

(na kraju krajeva i popularna društvena mreža „Instagram“ počiva na toj

polazišnoj točki). Kroz istraživanje i praktičnu analizu, cilj je objektivno

razlučiti tehničku i emocionalnu vrijednost navedenih sustava te financijsku

isplativost.

Abstract (english)

In everyday life we are all witnesses of use, but also the benefits of digital

photography and its storage. Photography appears in many areas, but here

the emphasis is placed on the comparison of classical medium format

photography and digital photography SLRs. Digital cameras allow you to view

images on the site (without development), which means that the photographer

can easily spot the errors and correct them before it's too late. The question is:

Why do certain professionals still use film photography? On the other hand,

many digital photographers use software processing trying to emulate the

aesthetics of the film obtained by conventional systems. The fact is that even

today with all the technology there is a certain fascination that surrounds the

classical systems. This fascination may lie in a single system constraints

forcing photographers to closely examine the framing, the aesthetics of the

film, which for many years are being emulated in digital photography

(popular social network "Instagram" is based on that starting point). Through

research and practical analysis, the goal is to objectively distinguish technical

and emotional value of those systems, and financial viability.

• Keywords: klasična fotografija; digitalna fotografija; negativ; estetika; obrada.
• Keywords (english): Film Photography; Digital Photography; Negative; Aesthetics; Software processing
• Language: croatian
• URN:NBN: urn:nbn:hr:216:657647
• Study programme: Title: Graphic technology; specializations in: Graphic technology, Design of graphic products; Course: Graphic technology; Study programme type: university; Study level: graduate; Academic / professional title: sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije (sveučilišni/a magistar/magistra inženjer/inženjerka grafičke tehnologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2024-04-20 23:13:55