Mogućnosti primjene op-arta u oblikovanju grafičkih proizvoda

undergraduate thesis

• Author: Marijana Pintarić
• Mentor: Sanja Mahović Poljaček (mentor)
• Committee member: Sanja Mahović Poljaček (član povjerenstva)
• Granter: University of Zagreb; Faculty of Graphic Arts; Zagreb
• Defense date and country: 2013-9-19, Croatia
• Scientific / art field, discipline and subdiscipline: TECHNICAL SCIENCES; Graphic Technology

Abstract

Tema rada bazira se na op-artu, umjetničkom pokretu sredine 50ih i 60ih godina prošlog stoljeća, povezanom s optikom, fizičkim i psihološkim aspektom vida. Cijela figurativna umjetnost kroz povijest u određenom se smislu bavila optičkim iluzijama, a ono po čemu se op-art razlikuje je njegova doslijedna nefigurativnost, odnosno nereprezentativnost, te se prvenstveno povezuje s apstraktnom umjetnosti. Sastoji se od konstrukcija koje ovise o svjetlosti i pokretu, a načini stimulacije i nadraživanja ljudskog oka istražuju se u svim smjerovima znanosti, upotrebom novih materijala i postupaka. Rad sadržava opis, povijesni razvoj i strukturu umjetnosti te primjenu op-art elemenata u različitim aspektima komercijalnog života, od njegovog nastanka do današnje primjene u oblikovanju grafičkih proizvoda. Navedena je i opisana programska podrška za izradu takvih kompozicija, a alati poput Opartica Tunnel aplikacije i dobro poznatog Photoshopa i Illustratora iskorišteni su za izradu vlastitih op-art elemenata.

Abstract (english)

The subject of this final work is based on op-art, artistic movement that took place in mid 50s and 60s of the last century, related to optics, physical and psihological visual aspect. Through history, the whole figurative art dealt with optical illusions in one way or another, but what makes the difference in op-art is it’s consistent non-figurative nature, in other words it is unrepresentable and related to abstract art. It’s consistent of constructions that depend on the light and movement. Ways to simulate and irritate human eye are explored in every aspect in science using new materials and procedures. This work contains description, historical development, op-art structure and the use of it’s elements in different aspects of commercial life, from the beginning untill todays use in forming graphic elements. Also, software for creating souch compositions is listed and described, tools like Opartica Tunnel application and well known Photoshop and Illustrator are used to create our own op-art elements.

• Keywords: Op-art; Vasarely; Albers; Riley; Chubb; Cornsweet; figure-ground; interakcija boje; op-art dizajn interijera; op-art moda; op-art programska podrška; tipografija; optičke iluzije; moma; tate; opartica
• Keywords (english): Op-art; Vasarely; Albers; Chubb; Cornsweet; figure-ground; interaction of color; op-art interior designm op-art fashion; op-art software; typography; optical illusion; moma; tate; opartica
• Language: croatian
• URN:NBN: urn:nbn:hr:216:178252
• Study programme: Title: Printing technology, course Technical - technological; Course: Graphic technology; Study programme type: university; Study level: undergraduate; Academic / professional title: sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka grafičke tehnologije (sveučilišni/a prvostupnik/prvostupnica (baccalaureus/baccalaurea) inženjer/inženjerka grafičke tehnologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Closed access
• Created on: 2024-04-16 19:04:41